Desert Island Discs takes two short breaks, in (the northern) spring and summer. BBC Radio 4 broadcasts new programmes for approximately 42 weeks each year on Sunday mornings, usually with a repeat transmission 5 days later. On Remembrance Sunday (in November) the programme is not broadcast but that week's programme gets a single airing in the Friday repeat slot.
Controversy was prompted in 1987 with the arrival of Cindy Parker (Ellen Wheeler), who would later fall in love with Stuart. The character was revealed to have AIDS. Through visits by now-Dr. Angie Hubbard, the show educated the public on how the disease was spread and how to prevent it. Cindy had contracted HIV from her husband, Fred, played by Mark Morrison who contracted it from sharing needles for drug use. Cindy is attacked by a vigilante hate group led by her niece, Skye Chandler. The tragedy of the attack shows the extremes of violence that occur every day to individuals with the disease. Cindy marries Stuart and he adopts her son, Scott. She dies early in 1989 in one of the show's most watched episodes. ABC wanted changes at All My Children. The show was getting about 6.5 million viewers per episode, but there was sentiment that the program had lost its unique sense of humor and was simply copying other soaps with action/adventure storylines.[citation needed] Efforts were made to bring the show back to the glory days of the late 1970s and early 1980s.
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Former All My Children writer and producer Ginger Smith returned as the new executive producer and creator Agnes Nixon served as consultant. The new episodes were 30 minutes long and aired on Hulu, Hulu Plus, and iTunes. Initially, 220 episodes of the show were ordered. The production company planned to shop the reboot to cable distributors beginning September 2013.[110] The show schedule was four days a week (Monday-Thursday) with a Friday recap show, MORE All My Children, to feature behind the scenes footage as well as interviews with the cast and to be hosted by Leslie Miller.[111] The revival show began on April 29, 2013, and production began on February 25, 2013, in Connecticut, with All My Children and One Life to Live taping in five-week rotations for 17 weeks.[112][113][114]
On May 17, 2013, The Online Network announced that All My Children and One Life To Live would no longer air five days a week together, due to viewer ratings that reflect online viewing patterns rather than those of traditional television. Starting May 20, 2013, All My Children and One Life To Life will be presented in a new schedule, with AMC airing on Mondays and Wednesdays and OLTL airing Tuesdays and Thursdays. The recap shows MORE All My Children and MORE One Life To Life will also combine as one show airing on Fridays. The following day on May 18, 2013, both shows were noticeably missing from the FX Canada website and schedule, and although they subsequently became available on iTunes Canada, it was later revealed that FX Canada dropped All My Children and One Life To Live due to the reduction of episodes, as the carriage agreement had specifically called for the airing of four episodes per week of both shows. Due to the reduction, FX Canada stated that "the agreement is no longer valid".[115][116] On May 20, 2013, the first episodes of the new All My Children and One Life To Live were available worldwide on The Online Network's YouTube page, TOLNSoaps.[117]
As of 2012[update], New Zealand, started airing All My Children on TV3 1 pm weekdays. TV3 airs episodes from 2010. TV3 has reportedly canceled their contract with ABC NETWORK after learning of the show's demise.
Digital piracy only constitutes a portion of the whole picture. True, today's extensive counterfeit CD/DVD markets are largely fueled by the established presence of piracy in the digital realm. Resellers and distributors usually get the content to copy from online sources. But, the history of physical piracy can be traced back to the days of floppy disks and cassette tapes. In 1964, the Philips company brought compact audio cassette technology to the United States. Although there were other magnetic cartridge technologies available, Philip's decision to license the format for free made compact cassettes the most accepted recording medium during this time. [11] In the 1970s and 1980s, cheaper multi-track recording mechanisms for artists and the consumer compact cassette boom prolonged the popularity of this new medium. The trading of these recordable cassettes among music fans across the U.S. and U.K. via the mail was dubbed "cassette culture." [12] Acceptance of floppy disk technology starting from the early 1980s provided users an easy way to copy computer related files. Copyrighted computer software and games especially could be easily duplicated using these disks. Of course, anti-piracy campaigns also started as a reaction to these new fads. The British Phonographic Industry, a music trade group in the 1980s, launched an anti-piracy campaign with the slogan "Home Taping Is Killing Music." Similar to the RIAA's concerns today, the BPI was afraid that the rise of a new recording medium (in their case, the cassette tapes) would hurt legitimate record sales. In 1992, the Software Publishers Association produced an anti-piracy campaign centered around a video commercial called "Don't Copy That Floppy." [13]
The Torrent network is another file sharing alternative. BitTorrent was developed by programmer Bram Cohen during the summer of 2001. [16] The main quality that sets BitTorrent apart from other P2P technologies is its ability to efficiently transfer large amounts of data quickly and efficiently. When a user downloads something via traditional P2P means, most of the data usually comes from a couple of individuals who are sharing the same completed file. Unlike KaZaa, eMule, and LimeWire, all data on the torrent network are broken up into small pieces and simultaneously shared by huge pools of users. Each individual's Torrent client has the ability to connect to hundreds of other clients who are sharing pieces of the same sought after file. The relationship between clients are symbiotic. In order for computers to download pieces of a file, they too have to share similar pieces with other computers. This forced reciprocity and piece-wise sharing technique provides noticeable boosts productivity and speed. A 2004 report from CacheLogic claimed "Online movie trading is skyrocketing, but onetime leader Kazaa is tumbling in use" Andrew Parker, CacheLogic's founder and chief technology officer said, "The overall level of file sharing has increased. Users have migrated from Kazaa onto BitTorrent." [17] Because computer users are increasingly downloading larger files like movies and software, in the first few years of this decade, P2P traffic on the internet surpassed all other types of data. [18]
There are three integral components of the Torrent system; each provides a specific function that is uniquely independent of the others. Torrent indexers like ThePirateBay and Mininova stores databases full of ".torrent" files which contain the locations of both public and private torrent trackers. These tracker servers help client computers loaded with compatible torrent programs like µTorrent and Azureus connect with other candidates from all across the web. While anyone can download from public trackers, there are exclusive invite-only private trackers that provide even faster connections. Clients act as individual nodes on the network; their main job is to communicate with other clients to trade copied pieces of the requested file until all the pieces are downloaded. An user commences a download by loading a small ".torrent" file retrieved from a torrent index site into the torrent client. The client then communicates to the given server(s) and retrieves a list of IP addresses where pieces of the same file are being hosted. In case a server is down or not responding, clients also have the ability to use DHT (Distributed Hash Table) and PE (Peer Exchange) technology to find the locations of other clients without the assistance of trackers.
Camcording is a huge issue the movie industry has to face on a daily basis. The term refers to the process where individuals capture featured films with portable recording devices. According to the MPAA, "ninety percent of pirated copies of movies are still playing in theaters. Once a camcorded copy is made, illegal movies often appear online within hours or days of a movie premiere." [28] Recently, stronger legislation have been put in place to discourage people from committing this crime. President Bush in 2005 signed the Family Entertainment and Copyright Act into law. It "makes camcording in a theater a federal felony and establishes new penalties for pirating works that have not yet been released commercially. First-time violators can be sentenced from up to three and five years in prison, and fined up to $250,000 for these kinds of crimes." [29] While some of the amateur camcorder pirates keep these recordings for at home viewing pleasure, most confront the risk for profit or other forms of personal gain. As mentioned before in a previous section, if the moles inside the movie industry do not leak the screener before a specific movie hits theaters, the release groups than depend solely on these lower quality camcorder versions to publish on the internet. These pirates also sell these recordings to "illicit source labs where they are illegally duplicated, packaged and prepared for sale on the black market, then distributed to bootleg dealers across the country and overseas. Consequently, the film appears in street markets around the world just days after the US theatrical release and well before its international debut." [30] In this case, these camcorder pirates can also be categorized in the reseller/distributer group because they are also a vital part of that physical piracy chain. 2ff7e9595c
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